CLIMAXES – CHOOSING THE RIGHT ONE
IMMERSIVE MENTORING PROGRAM
What we should derive here is that even if the beginning and the middle of your story are run-of-the-mill, but good enough to make the audiences generally engaged, and the climax is just an amazing triumph, then the audience will vehemently be upbeat about your screenplay. An amazing climax can, of course trigger an otherwise ordinary story to assured celebration.
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The participants are advised to watch the movies and/or read the stories/materials given/told to them in advance, so we have a great time together, discussing the examples.
Week-01 Day-01
- Climax – an overview
- WHY is the climax important?
- WHAT is the climax of a story?
- WHO are the Key Players?
- WHEN does the climax occur?
- WHERE does the climax take place?
- HOW to make the climax spectacular?
Week-01 Day-02
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- Own Activity/Proactivity
- Risks/Stakes
- Extension/Escalation
- Kinds of Opponents
- Guidelines of Involvement
- The Central Grounds of Climax
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Week-02 Day-03
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- Climax Vs Resolution
- Opting the flawless Resolution
- Happy Ending
- Tragic Ending
- Bittersweet Ending
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Week-02 Day-04
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- Ending by Genre
- The Meaning of Story
- The Writer’s Goal
- Respecting the Audiences
- Increasing the Anxiety
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FOUNDER MENTOR
SAB JOHN EDATHATTIL
Sab John Edathattil is an Indian screenwriter and filmmaker, who has penned scripts for some very critically acclaimed films in Malayalam and Tamil.
Screenwriter: Chanakyan, Guna, Jilunnu Oru Kadhal and many more...